{"product_id":"xc-dpxm05","title":"5 Ft Dual 1\/4\" TS Male to Dual XLR Male Unbalanced Audio Cable","description":"\u003cdiv style=\"max-width:960px;margin:0 auto;line-height:1.65;overflow-wrap:anywhere\"\u003e\n\u003cp style=\"display:inline-block;margin:0 0 .75em;padding:.35em .8em;border-radius:6px;background:#eaf0f7;color:#152238;font-size:.9em\"\u003e\u003cstrong\u003eSKU:\u003c\/strong\u003e XC-DPXM05\u003c\/p\u003e\n\u003cdiv style=\"line-height:1.6\"\u003e\n\u003cdiv style=\"margin:0 0 24px\"\u003e\n\u003ch2 style=\"font-size:1.4em;line-height:1.25;font-weight:750;margin:1.5em 0 .6em;padding-bottom:.45em;border-bottom:1px solid #cbd5e1\"\u003e\u003cstrong\u003eOverview\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIntroducing the \u003cstrong\u003eProX XC-DPXM05 5 Ft. Dual 1\/4\" TS Male to Dual XLR Male Unbalanced Audio Cable\u003c\/strong\u003e. A lot of great sounding gear still sends its stereo output on two 1\/4\" TS jacks, while most mixers, stage boxes, and powered speakers are built around XLR inputs. The ProX XC-DPXM05 connects the two in one clean run, with two 1\/4\" TS male plugs on one end and two XLR male plugs on the other. At 5 ft., it has enough reach to get from a keyboard stand to a mixer on a nearby table, or from a synth rack to a stage box at the side of the riser, without leaving a pile of extra cable to coil and hide.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eConnector Configuration\u003c\/h3\u003e\n\u003cp\u003eThis is a true two channel cable. Each 1\/4\" TS plug is wired to its own XLR plug, so left goes to one mixer channel and right goes to another, with no mixing or splitting in between. If you need to send a stereo source into two inputs and keep the image intact, this is the right setup.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eColor Coded Channels\u003c\/h3\u003e\n\u003cp\u003eA red band marks one plug at each end. When you are patching in low light or reaching behind a mixer you can't see well, that quick visual cue helps you land each channel in the right input without second guessing.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eDual Cable Design\u003c\/h3\u003e\n\u003cp\u003eBoth channels share one PVC outer jacket, running side by side as a single dual cable. You coil one cable, pack one cable, and run one cable across the setup, instead of managing two loose ones that tend to drift apart and tangle with everything else on stage.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eShielded Channels\u003c\/h3\u003e\n\u003cp\u003eEach channel is shielded with copper on its own, which helps keep hum and outside interference out of the signal. That separation is important on a stereo cable, where both sides need to arrive just as clean as they left.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eUnbalanced Signal\u003c\/h3\u003e\n\u003cp\u003eTS outputs are unbalanced, and this cable passes that unbalanced signal into your XLR inputs as is. It does not turn it into a balanced signal. A 5 ft. run is a comfortable length for unbalanced audio in most rigs. If you need to go much farther, or the venue has a lot of electrical noise, a DI box is the right way to get there.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eConnectors and Contacts\u003c\/h3\u003e\n\u003cp\u003eGold plated contacts on every plug resist corrosion and give you a solid, clean connection each time you plug in. All metal connector housings stand up to the setup and teardown cycle of regular gigs and rehearsals.\u003c\/p\u003e\n\n\u003cp\u003eDesigned by Professionals. Built for Performers. Backed by 40 Years of Excellence.\u003c\/p\u003e\n\n\u003cp\u003eProX products are designed by a team of seasoned industry professionals who know firsthand what it means when gear fails during a show. Since 1984, ProX has built its reputation on one principle: every product must perform as hard as the professionals who depend on it. We listen to our customers, and their real world feedback directly shapes the products we bring to market. The ProX XC-DPXM05 is a direct result of that collaboration. When you choose ProX, you are investing in four decades of hands on expertise and a brand that has never stopped raising the standard for live performance gear.\u003c\/p\u003e\n\u003cul\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eConnector Configuration:\u003c\/strong\u003e Dual 1\/4\" TS male to dual XLR male\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eTwo Independent Channels:\u003c\/strong\u003e Each 1\/4\" plug wired to its own XLR plug, not a splitter\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eCable Length:\u003c\/strong\u003e 5 ft. for keyboard stands, synth racks, and side stage connections\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eColor Coded Channels:\u003c\/strong\u003e Red band on one plug at each end for quick channel ID\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eDual Cable Design:\u003c\/strong\u003e Both channels run side by side in one PVC jacket for easy coiling and routing\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eShielded Channels:\u003c\/strong\u003e Each channel has its own copper shield to help reduce hum and interference\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eGold Plated Contacts:\u003c\/strong\u003e Clean, corrosion resistant connection on every plug\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eAll Metal Connectors:\u003c\/strong\u003e Built for regular gig and rehearsal use\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eSignal Type:\u003c\/strong\u003e Unbalanced audio, two channel\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eUse Case:\u003c\/strong\u003e Stereo keyboards, synths, drum machines, and audio interface line outputs into XLR inputs on mixers, stage boxes, and powered speakers\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003ePackaging:\u003c\/strong\u003e Master box qty 10 pcs\u003c\/li\u003e\n\t\u003cli\u003e\u003ca href=\"https:\/\/www.proxdirect.com\/support\/warranty-terms\"\u003e\u003cstrong\u003eProX Limited Warranty\u003c\/strong\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAll registered trademarks and trade names are properties of their respective owners and are used only for the clarification of the compatibility of our products with the products of the different manufacturers.\u003c\/p\u003e\n\u003cp\u003eDual TS-M to Dual XLR-Male\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin:0 0 24px\"\u003e\n\u003ch2 style=\"font-size:1.4em;line-height:1.25;font-weight:750;margin:1.5em 0 .6em;padding-bottom:.45em;border-bottom:1px solid #cbd5e1\"\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eDual TS-M to Dual XLR-Male\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin:0 0 24px\"\u003e\n\u003ch2 style=\"font-size:1.4em;line-height:1.25;font-weight:750;margin:1.5em 0 .6em;padding-bottom:.45em;border-bottom:1px solid #cbd5e1\"\u003e\u003cstrong\u003eProduct details\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cp\u003eIntroducing the \u003cstrong\u003eProX XC-DPXM05 5 Ft. Dual 1\/4\" TS Male to Dual XLR Male Unbalanced Audio Cable\u003c\/strong\u003e. A lot of great sounding gear still sends its stereo output on two 1\/4\" TS jacks, while most mixers, stage boxes, and powered speakers are built around XLR inputs. The ProX XC-DPXM05 connects the two in one clean run, with two 1\/4\" TS male plugs on one end and two XLR male plugs on the other. At 5 ft., it has enough reach to get from a keyboard stand to a mixer on a nearby table, or from a synth rack to a stage box at the side of the riser, without leaving a pile of extra cable to coil and hide.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eConnector Configuration\u003c\/h3\u003e\n\u003cp\u003eThis is a true two channel cable. Each 1\/4\" TS plug is wired to its own XLR plug, so left goes to one mixer channel and right goes to another, with no mixing or splitting in between. If you need to send a stereo source into two inputs and keep the image intact, this is the right setup.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eColor Coded Channels\u003c\/h3\u003e\n\u003cp\u003eA red band marks one plug at each end. When you are patching in low light or reaching behind a mixer you can't see well, that quick visual cue helps you land each channel in the right input without second guessing.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eDual Cable Design\u003c\/h3\u003e\n\u003cp\u003eBoth channels share one PVC outer jacket, running side by side as a single dual cable. You coil one cable, pack one cable, and run one cable across the setup, instead of managing two loose ones that tend to drift apart and tangle with everything else on stage.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eShielded Channels\u003c\/h3\u003e\n\u003cp\u003eEach channel is shielded with copper on its own, which helps keep hum and outside interference out of the signal. That separation is important on a stereo cable, where both sides need to arrive just as clean as they left.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eUnbalanced Signal\u003c\/h3\u003e\n\u003cp\u003eTS outputs are unbalanced, and this cable passes that unbalanced signal into your XLR inputs as is. It does not turn it into a balanced signal. A 5 ft. run is a comfortable length for unbalanced audio in most rigs. If you need to go much farther, or the venue has a lot of electrical noise, a DI box is the right way to get there.\u003c\/p\u003e\n\n\u003ch3 style=\"font-size:1.12em;line-height:1.35;font-weight:700;margin:1.25em 0 .35em\"\u003eConnectors and Contacts\u003c\/h3\u003e\n\u003cp\u003eGold plated contacts on every plug resist corrosion and give you a solid, clean connection each time you plug in. All metal connector housings stand up to the setup and teardown cycle of regular gigs and rehearsals.\u003c\/p\u003e\n\n\u003cp\u003eDesigned by Professionals. Built for Performers. Backed by 40 Years of Excellence.\u003c\/p\u003e\n\n\u003cp\u003eProX products are designed by a team of seasoned industry professionals who know firsthand what it means when gear fails during a show. Since 1984, ProX has built its reputation on one principle: every product must perform as hard as the professionals who depend on it. We listen to our customers, and their real world feedback directly shapes the products we bring to market. The ProX XC-DPXM05 is a direct result of that collaboration. When you choose ProX, you are investing in four decades of hands on expertise and a brand that has never stopped raising the standard for live performance gear.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv style=\"margin:0 0 24px\"\u003e\n\u003ch2 style=\"font-size:1.4em;line-height:1.25;font-weight:750;margin:1.5em 0 .6em;padding-bottom:.45em;border-bottom:1px solid #cbd5e1\"\u003e\u003cstrong\u003eKey features\u003c\/strong\u003e\u003c\/h2\u003e\n\u003cul\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eConnector Configuration:\u003c\/strong\u003e Dual 1\/4\" TS male to dual XLR male\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eTwo Independent Channels:\u003c\/strong\u003e Each 1\/4\" plug wired to its own XLR plug, not a splitter\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eCable Length:\u003c\/strong\u003e 5 ft. for keyboard stands, synth racks, and side stage connections\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eColor Coded Channels:\u003c\/strong\u003e Red band on one plug at each end for quick channel ID\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eDual Cable Design:\u003c\/strong\u003e Both channels run side by side in one PVC jacket for easy coiling and routing\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eShielded Channels:\u003c\/strong\u003e Each channel has its own copper shield to help reduce hum and interference\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eGold Plated Contacts:\u003c\/strong\u003e Clean, corrosion resistant connection on every plug\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eAll Metal Connectors:\u003c\/strong\u003e Built for regular gig and rehearsal use\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eSignal Type:\u003c\/strong\u003e Unbalanced audio, two channel\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003eUse Case:\u003c\/strong\u003e Stereo keyboards, synths, drum machines, and audio interface line outputs into XLR inputs on mixers, stage boxes, and powered speakers\u003c\/li\u003e\n\t\u003cli\u003e\n\u003cstrong\u003ePackaging:\u003c\/strong\u003e Master box qty 10 pcs\u003c\/li\u003e\n\t\u003cli\u003e\u003ca href=\"https:\/\/www.proxdirect.com\/support\/warranty-terms\"\u003e\u003cstrong\u003eProX Limited Warranty\u003c\/strong\u003e\u003c\/a\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003cp\u003eAll registered trademarks and trade names are properties of their respective owners and are used only for the clarification of the compatibility of our products with the products of the different manufacturers.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"ProX","offers":[{"title":"Default Title","offer_id":68186871463979,"sku":"XC-DPXM05","price":16.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1746\/5293\/files\/DPXM53.jpg?v=1794255817","url":"https:\/\/proaal.com\/products\/xc-dpxm05","provider":"Pro Audio and Lighting","version":"1.0","type":"link"}